Hello!
Hello everyone, people!
I immediately see what you answer me, and let me immediately
feedback about quality.
Is it clear?
Do you hear well?
Please put a plus sign!
I'm still sitting, waiting, you know that last 10 minutes.
We prepared here, prepared all day.
I already think: this time of the webinar would pass faster.
And these last 10 minutes: 9, 8, 7 ... I like before shooting
simply.
I sit and think: damn it, I’d have to start early, or something.
You can hear everything, you can see everything is fine!
That's all cool!
I'm glad you're with me today.
Today we have a webinar on lips, such a long-awaited,
volume.
Some people sleep, of course, of all other countries,
those in other time zones.
Well, let's start!
I will not pull the tires, immediately begin, it means ...
I have such a thing here, there are a lot of buttons on it and it is written,
what to push.
And now I suddenly forgot what to press.
“Slide Only”.
All went webinar.
Webinar we have about lips.
This is a theory.
I'll introduce myself a little bit maybe someone out there with
hardly knows who I am.
My name is Elena Nechaeva, I am a master of permanent
makeup with years of experience.
I ... I have a network of studios, a network of schools.
Those. I'm a teacher.
For many years I have been teaching masters.
I also have an online school that we now
we are actively developing and in which a huge
already the number of students from abroad, from Russia,
from the near abroad.
Therefore, here it is me.
And I also wrote a textbook.
I have another tutorial coming soon, he
in the process.
In short, that's enough about me.
This is too much.
So, “slide only”, that's it.
Content of the webinar: everyone can read, everyone reads
quickly.
So let's go for a run.
Basically, you knew what you were going for.
This is today's theoretical part, what I'm going to talk about.
I’ll casually run through all the items that are now
you see in front of you.
Linger only know what?
On what will be in colorist.
I will talk a lot.
So do not try to go to sleep.
It will be interesting there and I will need your return.
connection
Required.
And I will talk a lot about the stages of the procedure.
Those who will be at our webinar tomorrow in 2 parts,
please remember it all.
Pro, especially the steps of the procedure.
Because I have some ... I will have 4 whole videos
Tomorrow, tomorrow's webinar.
And some part I will accelerate.
Because it is impossible to show so much in one
webinar
We just stretch it for many hours.
Here it is.
And the steps of the procedure are extremely important.
Also photo and photo editor - it will be at the end.
This is also interesting and quite voluminous.
So what?
Go!
Just what is next?
Criteria work on the lips.
You will not see me for a while now.
minutes maybe.
Make your way, look briefly and now every
from the criteria I will describe and draw on the tablet.
Because the letters are letters, but it is necessary to understand visually,
what is possible and what is not.
“Where to click?
- write, - to look and hear, there is no sound and
Images?"
So, people, do not frighten me!
We have sound and image, also in excellent quality,
in the magnificent.
The fact that the Internet is very fast, the cameras are very powerful.
Therefore, for now you understand, now the sysadmin will look
even if suddenly something.
So, I and the tablet.
And we start to draw.
We will now talk about the quality criteria that
I have prescribed and developed for our network and for our
students who study in our network.
I mean commercial students.
These criteria can be violated.
Because of any rule, there are small digressions.
Because it’s impossible to follow all your life
according to the rules.
But if you stick to these criteria, then you will
much easier.
So, the first criterion: not one line of the upper and lower
lips can not go beyond the mouth gap.
It sounds easy.
In fact - I have to draw you.
We have a mouth gap, as you understand, this is this
zone.
That is, we can see here, yes, I draw?
I can draw black.
This is our ending mouth gap.
Here you can not go for it.
What are some masters doing?
Since we all strive to increase, add volume,
and very often they raise, let's say, in this part,
in the area of the arches, the lips increase as much as they can.
And nowhere to come.
The line cannot come to the corners of the mouth.
Because then the mouth will seem too small
and round.
What do they do for this?
Bring the line here and connect it like this.
And this entire zone overshadows.
No, in any case, in my network you can not do that.
It is forbidden.
Because it looks weird at least when
Something is drawn around the mouth, below or above.
You must understand that you are not omnipotent, that it is impossible
just draw something on the face.
If the length of the mouth is not enough, conditionally, then the line of the mouth should
end exactly near or a little short
to the corner of the mouth.
You can smooth it off, maybe in this way.
Therefore, not from below, not from above, you can not go beyond the mouth
the gap.
That is, as above, here again, and below.
In our network is prohibited!
And in this case, by the way, I see no exceptions.
I do not see any options, unless someone nares there
yourself corners of the mouth, or what?
I dont know.
So don't do that.
On the arches of the upper lip, this is the second criterion.
On the arches of the upper lip and in the center of the bottom, it is prohibited
work for kinks planes.
An important criterion that can sometimes be violated.
What do we have “arches”?
The arches are our corners here.
Someone they are sharp, someone they are smoothed, someone
in general, it is, in principle, like a fish mouth.
We will talk about it further.
And the lower part of the lip.
Why prohibited?
On the lower part of the lip, our anatomy is such that
this part is the fossa.
And if you work there, your work will not be visible.
There's no point.
Plus it is in the shade - there will also be a color change,
purely visual when you look at such work.
Why am I not allowing work here?
A small exception: if the relief is smoothed.
We will go further now, and I will show you the following
slide how it looks: smoothed relief when
you can work and when you can not.
So, if the relief is pronounced, like, say,
I can’t go to this surface
prohibited.
Because it will always be visible and because
the case of volume is best achieved by injection.
That is, we work in conjunction with injection cosmetology.
Therefore, your work area is just literally a millimeter.
around these arches here.
Usually this place is more or less upright, let's say.
Those. it still does not go to the modified plane, yet
does not go into the skin of the face and there are even such
these are the wrinkles, as if there are no lips, but
You can work.
The only thing is the area on which it is difficult
pigment.
Therefore, if you still fell out there, then please
paint over there very carefully and well.
But by the way, we will also talk a lot about this zone.
Because I have interesting examples further.
about it.
Third form parameter: change is allowed
shape and lip augmentation by adding volume
no more than 2 mm in case the lips have a smoothed relief.
But I mentioned it now, in principle.
Why not more than 2 mm?
Because everything else I watched in my life
a lot of lips, this is from the field of insanity.
That is, these huge lips, painted around more
2 mm really nobody needs.
If only it is, let's say, not some complicated ones
cases: when the lip is very filled up, or is it some kind of
scar, or just no pigment.
Then of course, to achieve symmetry, you can
break those boundaries.
But, by and large, you will not need more than 2 millimeters.
According to symmetry, the criteria go further: criterion
points of the tops of the arches of the upper lip should be
equally spaced and be mirrored
left and right.
If you were on my webinars, free, by the way, in my opinion,
they were free by eyebrows then you know what
There are criterion points in the world.
What it is?
These are the points that allow you to measure eyebrow and how
would turn it into a geometric shape.
Though our lips are continuous bends, I conditionally them too
turned into geometry.
Those. these are the lips that are in front of you - they are very symmetrical.
In fact, someone was very lucky.
I do not know.
I took this photo from the Internet.
Just beautiful lips caught.
But about the criteria points.
That is, we have a center.
The center we are dancing from.
Since I, for example, can not ... Here is such a tool
cool
I can turn on, find this center and all that I will draw,
will mirror.
We have no such tool in our life.
But you must, plus or minus the fraction of a millimeter, be mirrored
as much as possible on each particular
man
Why do I say “as much as possible”?
Because if you are a master, you understand that
the number of people is just so asymmetrical
it's hard to come up with an ideal of symmetry.
Because we often smile on one side.
Because of this, one side is pulled, it becomes
shorter than the other.
That is, these all mimic habits, they interfere with us
work, let's say so.
But we work with them.
Because it just causes a distortion of some kind.
forms and we get work.
Therefore, look again: the criterion point is
top of the arch.
Even if it is round, you can always find the maximum
high point.
And this part you can conditionally divide into one
literally another part in half.
And you can to complicate yourself and, how to say, complication
yourself and in order to more carefully find these
distances, you can, in principle, and let's say these two points
to find.
That is, each of these points must be mirrored on the left.
and on the right.
Well, the distance.
Those. we're just talking about thickness.
Because it seems a little bit insignificant.
But I really hope that among you here ... you are
all cool, experienced, you have everything cool with symmetry.
But I constantly observe on training how to draw one
a huge lip, and the second one littered, small.
Just because it is not quite comfortable there.
You draw, poorly visible, there is something else.
And then they say: “Well, what?
Come on!
Can I start working? ”
And here I am so surprised how you call me
ask “can i start working there” when
you have such a strong asymmetry.
So look: you can take one point, you can
take two points.
As you see fit.
Usually one is enough, divided in half.
But this zone of yours should be symmetrical.
Those. distance from corner to corner.
And accordingly, these are the thickness distances
lips conditionally.
You should be able to measure.
Those. these are our criteria points.
And here I just also speak about them.
The same is with us and on the lower lip.
That is, we have a straight zone.
It is even on very round lips.
It just becomes shorter.
That is, this is the straight part of the lip, should you
be the same thickness.
Ie, suppose, if you have a lip, well, approximately, such
like here, as I drew, this is the distance,
it should be the same here and here.
The button is inconvenient on this sitlus, it bothers me.
Same thing if we go into geometry and draw.
See, by the way, how these lips are symmetrical,
but still, they are not symmetrical a little.
Those. here the geometry shows that something went wrong.
These lip thicknesses should also be symmetrical.
left and right.
That is the distance.
And you have to evaluate it.
Ideally, just by eye.
Because with a ruler to climb, measure - this, of course,
marasmus.
But you can train it on ordinary ones:
latex, on paper.
Well, just by constantly drawing these points.
And the rest of your concern is just to round up.
these lines and, in fact, you are perfect,
these symmetrical lips.
I was very distracted, but now, but, I said everything
criteria points on the lips that we use
in work.
Every time I look into the camera, I think, well, to
a man was sitting here to get feedback.
Nodding would say: “Yes, I understood.
No, I did not understand".
Okay.
When I finish the block by the criteria, I will reply
for questions.
And every time I will answer questions on these two ...
In these two days I will answer a lot of questions.
The only thing I want to ask you: please
Do not write such know as interjections: wow there
cool, cool - that's all.
Because when I look for your questions, I
will have to read it all.
And it is very difficult, really, when I start looking
questions here to find in this pile of huge.
Therefore, clearly questions, especially ...
Better yet, write questions as if at the end of a block, when
I will finish.
Because maybe I just answer by telling
topic, you answer questions at the same time.
So go ahead.
The thickness and shape of the upper lip on the left and right should
be mirrored.
This is what I said: all criteria
left and right should be mirrored.
Well, the thickness and shape of the lower lip should also be mirrored.
Because they also often draw: one part is very curved,
round, and the second - so here, straight.
I understand, I noticed it myself.
When you look at one face for a long time, it seems to you
damn it, and for this you can either take to the mirror
and look from the side, as if with new eyes.
You will see all these inconsistencies.
Or take a picture if you work alone
and to look.
Or quit a client, start preparing, interfere with pigments,
there to collect the table, typewriter, etc.
And do not look at all on the face.
And come a little later.
Then you will see.
That's real, the eye is washed up.
This is the term of artists.
When, as we do, many masters work in one
indoors, it's cool.
They help each other to see this.
And prokrasu.
By the way, my lips really have few criteria.
Because it is a fairly simple area, as it seems.
Procras should be uniform, free of stains and voids.
Allowed dark gradient in the outer part
lips, transparent to the mucous.
And a gradient is also allowed.
Now these criteria, they are a little bit ... you need to make
this item.
The gradient can be from the outside to the inside,
and from internal to external.
Because now there is a request from many clients:
Now make such lips, “ombre” is called.
And we will talk about it tomorrow.
And I will show how this technique is done on latex.
and on the client.
Therefore it is necessary to make.
Yes.
And there should be no contour.
So I just simply forbade making the contour.
What do I call the contour?
This is when the same color even achieves
master of the fact that the contour looks like a thread.
That's real.
Sometimes, because of the high activity, as if attempts to clearly fix
here is the contour, movement around the contour back and forth, master
goes a little deeper and the color changes a little.
It becomes a little darker and colder compared to
with the rest of the lip color.
When he even paint over.
And even if it is tightly painted.
And even heals such work with the contour.
Here I really do not like this circuit and in every way
I try to my masters did not do it.
Therefore, it entered into the criteria.
But of course a lot of situations, a million.
And not the fact that if I voiced these criteria to you,
you will begin to observe them.
But I really hope so.
That's all.
I just talked about the criteria.
I am ready to answer your questions, if any
on this topic.
And we will go further, so as not to lose time.
Lost ... Girls, if suddenly something goes wrong,
I really hope that our webinar will be excellent,
with high quality cool and all that, and sound and video.
But if something goes wrong, you will have a record
webinar in high quality, at the highest possible.
And you can view it, of course, anytime after
even ending the webinar.
Therefore, I will not be distracted by these questions here.
I will be just on the topic.
Okay.
Anyway, the upper lip is one part usually flat,
narrow and the other shorter but plumper.
I absolutely agree, almost always.
And now let's say my lips.
They look quite symmetrical, but I
one part is so concave and filled up, and the second is right
This is how I like it.
This is probably the working side for the photo.
And all I do is constantly tint up that part
which here it is small.
And plus, I also smile on one side in all the photos.
I don't like it like a stroke looking.
But people are like that.
If you want to change, then it works like
Since the main will have you on the change of form on the
side which is smaller.
This is normal.
So.
How to fix a sketch without contour?
It will be tomorrow on the theoretical part, on the practical
parts sorry.
I will talk a lot, both on latex and on models
I will show it how to fix the sketch without
contour.
When you work on scars, in particular with a defect
“Cleft lip”, there also need to go beyond the limits
arches, are there scars after surgery usually?
“Rabbit lip” I had a few years ago.
One, true, of all.
And there she was, of course, distorted.
And I had to go, of course, on the skin to achieve
symmetry with a healthy part, with the one that maximizes
was higher.
And in this case, of course, you need to go out and paint
pretty tight.
And it is complicated by all the work on the scar.
Because according to my observations, here are two types of scars.
I always talk about it.
Those on which to lie, that is, the fabric is so dense
on it lies any touch.
And those on which you already think: “My God, I stuck the needle
all there, but she does not put ”.
Those. there it is necessary to slow down, work very finely, very
tight, hard to push.
In short, scars are a separate, complex topic and they are very
behave differently.
Plus they should always be in a state already
white scar, when you can work on them, and when
it won't hurt as much as if they are pink, let's say.
I'm not talking about red.
Red scars can not be touched at all.
Therefore, yes, in this case, of course, you need to fall out
and quite a few, in some cases.
Yes.
The record will be sent to your email.
Wherever the link went.
So, about the contour: whether to work contour three
on the contour and on the filling together?
I'm afraid the outline will be brighter.
Can the contour go through the unit, and fill in the three?
How do you advise?
Honestly, I don’t see any reason to work
two types of needles on one person.
Here is the truth.
I have tried and threes, and five, and all sorts of beams.
I, at one time, went straight through a lot.
The technique of work is different.
And if you like a threesome, well, it's a bit stronger on it.
need to push on the sensations.
Because it is a bundle, and skin resistance, it
as if stronger.
If this is a unit, then there is a lighter touch,
leaves more color.
Therefore, jumping from effort to effort is sometimes difficult.
If ... well, I don't see the point.
If you work as a unit, you just need a few
layers to fix, in several rows, or rather,
fix the contour.
That's all.
And then you just paint over.
I tell students all the time that lips are the same
eyebrow, just there it is differently deployed.
Even the shape is similar.
So.
How then in this case to equalize the asymmetry, if
Can I get out more than 2 mm?
I say again that these rules, our criteria
points, everything in general, in principle, the rules, they are not absolutely
iron.
Those. there is always an exception.
There is a very strong asymmetry, there are scars, there are scars after
accidents, scars after the cleft lip, there is just so much
comfortable, you know, colorless surface and wrapped
lip, that on it, in principle, you can draw something
somewhere to go out, fall out harder.
Those. sometimes you can break.
I'm just saying not to do it at all and not to turn
it is in such, shall we say, insanity, when really tattooed
want to enlarge lips.
Because it is not.
You can create a new beautiful shape, more symmetrical,
paint over a very small surface around where
It can be done.
I will also talk about it later and show where, how much.
Because now I’ll really draw for you, show
on different types and shapes of lips sketch where you can, and where
can not.
All other increases are only injectable.
cosmetology.
It is best to work in tandem with any
a beautician who is yours after you
make a tattoo, increase or maybe fix
asymmetry.
Or, let's say, I had a scar that twisted out like this
lip on one side.
It is directly convex, and on the other hand is flat.
And in this case, just a beautician, with the help
beautician, client, after we created
new form after this accident, she leveled
volume
That is, it adds volume so that they become more similar.
It looks like it was straight as a knot and flat
surface.
Therefore exceptions happen.
But do not make it a rule when you are all just very
greatly increase.
In the beginning, of course, the tattoo is done.
First you create a form.
Then the beautician is already seeking volume.
If suddenly there your client went into insanity, that too
I saw.
When I created a beautiful shape and it was so beautiful
girl.
And she came to me in six months with enlarged
so lips that my tattoo became almost invisible.
Those. the form remained there, but they swelled up like balls
and there they had to paint very much and very much.
Those. this also happens, but most often, customers are very
adequate.
And they do not go on such increases.
On the red scars can not be because they are
in the formative stage.
I do not know, is it visible or not?
I have a scar, it is now almost invisible.
He was crimson-purple for how many years.
If you have never had a scar, then you do not understand.
But it is really painful, it is all there vessels.
You touch it - it itches, it sometimes grows, it changes.
And it is forbidden even to cosmetologists to do grinding and stuff.
on the scars that are in this condition.
Therefore, it should come to the white scar stage when
You can work on it.
And then it will most likely be uncomfortable for your client.
But not as bad as if it is red.
Plus, he will bleed and nothing will take root.
Therefore it is impossible, no.
Just don't do it.
You can enlarge the image somehow, I look from the phone?
I suspect that you will not be larger than a telephone
anyway.
You can view it later at home on your computer.
or on the tablet in the record and maximize already.
Because there is no phone, unfortunately, you will not succeed.
So, the upper lip is flat, they want to break.
Contour will have to draw more clearly?
I understand.
Yes, in that case, you will need to do this, of course.
Because sometimes this lip is just without
dimples, without arches at all.
And you have to create.
And then you need to draw and draw.
Will work tight.
Those. It is fondant paint in the area, but on the skin of the picture.
So, of course, yes, if you want arches, if you want
some form changes.
The upper and lower lip lines should not end
at one point.
So you are on the situation.
I once tried to tell my masters that they
must converge at one point.
They must converge at the same point on the left and
right, upper, let's say, and lower left and right
at the same point.
But right at one point, the top and bottom are not.
Because situations are completely different.
In order to create a beautiful shape, you can
the upper go further, and the lower begin, let's say.
So that was not such a lowered mouth before.
Therefore, no.
Everything, I went further.
So, I need to switch to the next slide.
The structure of the lips.
In short, when I was preparing, I was always very careful
getting ready.
I think so: I'll tell you now, now I'll turn myself on to you.
I thought: I'll tell you all about the structure of the lips.
Climbed and realized that I was not interested, it is real
not necessary and if you want to know the real structure
straight, the state there, the muscles where they are, as they are called,
where, what have we, the salivary glands here, the sweat there ...
No, we will talk, let's say, about the artistic
aspects of the structure in terms of simple reliefs, shadows,
bends that you should consider and use
Here is this knowledge in order to properly increase.
Today, towards the end of the webinar, I will show you a case that
helped ... you know how knowledge of just the structure helped me
lips and discoloration so that everything worked out.
That is what we will talk about.
Now I will find this site at home.
On this particular slide, you see that upper lip,
you have it all in the shadow, practically all.
Only this one is the very border, the edge that
you can increase.
Here it is very pronounced.
Most likely, it even caught my lips.
It's just that the shadows are so cool on them that I
took them for a slide.
If you work, all of you.
I said not right now.
You all work in the same color, probably in 98 cases.
on the lips.
Those. you took the color and paint their lips.
And you noticed.
Even looking at me now, you see that I have the top
the lip is darker, the lower lip is lighter.
Although I, too, worked in the same color.
Why do I focus on this slide?
Because if you want to increase lips and work
right here on the illuminated surface in some
cases, you can do it in normal color when very
flattened relief.
I’ll show you further slide.
If suddenly you have very raised lips and some such
right hyper complex case when you need to increase everything
then you can work on increasing slightly more
dark color here in this area.
I'll show you next.
That is, we have a shadow zone.
Because now the light strikes my face.
Also, again, somewhere in 95% of cases, the light shines on us from above.
Those. this is the sun, these are daylight bulbs.
He is always on top.
And at us it turns out, the zone of a shadow is created - it is upper
lip and shadows right here - under the lower lip.
Also very clearly seen.
So embossed here are these round parts
on the lower lip, I honestly did not meet.
Maybe someone met or maybe in men
they are so pronounced.
You must use knowledge in your work.
here are these shadows to add volume.
Those. Why is this part sometimes left unpainted?
Because then the lip looks more voluminous, more convex.
Because big, flat lips, for example, if you do
contour with feathering, they will become volumetric due to
that there would be a feeling that on the bottom
lip, she went into the shadows.
And this big flat shapeless lip.
I met such too.
And these are the lips that need such a technique “contour
with shading ”.
She becomes volumetric, beautiful, takes the form
thanks to the technique
that we created a shadow over the lower lip and volume,
here is an empty middle left.
Or maybe there is a stretch done.
And the upper lip, in some cases, well, we are even used to
basically, look at everyone and see that the top
lip darker.
If suddenly you need to increase, then you can either very
tight or slightly darker on top
lip work in the place where it is lit.
I do not speak inside where there is a shadow.
Only in the place where it is lit.
But you remember this, we'll be back a little bit later.
to this case.
I will show you pictures of such a client.
So go ahead.
Those. here are these lips.
In principle, they are almost perfect.
But they have a pronounced relief.
That is, most likely, you see, yes, here is this surface
illuminated.
If you fall out there with ordinary light, it will look
like those women who paint so carefully
lips around and they are always visible.
Because light falls from above and this surface
even though it is painted well, it looks different.
Those. you can see that these lips are somehow made up
ugly.
And in this case, you can work, in fact, only
up here is the shadow part.
Those. these lips are perfectly painted.
But if suddenly this part is not stained, let's say
there is no pigment, or some spots, or uneven
contour, or knocked out by herpes, say, constant, then
Your work can only take place before the change of planes.
We are limited, most often, especially by these
bows relief.
Very much.
Here in this area is still usually smoothed, and you can
here somehow to round, increase.
But all that you do on the skin, on these lips
will not look beautiful.
And my masters, I do not exactly prohibit, but do not recommend
so do.
Because sometimes you just have to fight customers
who still want to.
We have practice, by the way, in this case.
I advise you too.
Signing with such clients is particularly informed.
Consent, where he writes: “My form, claims are not
I have.
Because after a year there on the advice of some girlfriend,
she will come and say: “Look, you made me this stuff.
I want you to remove it, redo it, fix it. ”
And then we get and say: “No, it was your desire.
And if we delete, it will already be for you.
for money".
Those. you have to be protected and it’s like that
life hacking but this is normal communication behavior master
- customer.
The client must be protected, but you must also be protected
be from inciting your customers.
So now I will show you where it is possible here on these lips.
Those. look at them smoothed contour, i.e. he is soft
And here you can do a lot.
Now I’ll find, it’s probably easier for me in the gallery to find these
lips
What can we do on them?
See this?
You can see or more ...
And now I will turn on the “plus tablet”.
Here they are these lips.
When you have such a smooth external contour, you can
do a lot.
You can paint almost any shape of such lips.
So you can see?
I'll draw for you now.
That is, the lower lip, in this case, look, very
relief and there is no sense to increase it.
Even if you wanted.
But as if this lip is so big that it makes no sense
do this
Your upper lip can be practically all
perfect
Those. You can bring right here.
You can paint over this skin.
And here just, look, a zone as though more than 2 mm.
Why do I say most often that the rules exist,
but they are relative.
So you must think, you must analyze
every step with the client.
That is, in this case, depending on the wishes
your client, you can increase it
upper lip.
The bottom has almost perfect shape.
I do not see her point at all to change.
That is the only thing that if you suddenly want, then
You can paint over this zone because it’s like
would be pale.
Because there is no pigment to create
perfect perfect straight form.
Look, this arch is naturally being discussed.
Those. it can be deeper, it can be smoother,
rounder.
That is what you all do with the client.
But in this particular case, just those plus or minus there
2-2.5 millimeters that you increase i. In some
places to fill this form.
Now watch what I'm doing.
I take and fill this zone here before this contour
color.
I do not know, now it will work out - no.
Those. it is in fact a zone of your work, in fact.
If the lips are color and they are bright, then all you need
to do is just work in a place where there is no light.
That is, here is a darker color, because
there is a lighted surface.
I now took the color, as you can see, this is the maximum
similar to their lips.
But on the lower lip can be normal and light, well, in principle,
also.
If I clean it up, delete it, then okay, it turned out
not directly perfectly symmetrical.
Because I could not see.
But i.e. these are your lips that you
can change depending on the wishes of the client.
Those. on almost any lips if your client doesn't want
some kind of super fondant paint
with shading.
Because you just create a contour and pour in a new one.
color in the color of their lips.
Well, okay, this is what I'll talk about later
we will talk about forms endlessly.
Those. right here, you see how strong you can go,
to create the perfect shape.
Because this relief is very smooth and the entire top
lip you can change very much.
So.
Now, before I start ... So, we are leaving for
the next, about the perfect shape.
On the shape of the lips begin to talk.
And, in fact, a huge amount of lips.
Those. Here are perfect lips ... perfect lips, I do not understand,
What do you want?
Ah, I'm out of focus, talking back and forth.
I'm not in focus.
Not all got the perfect lips.
We all strive for the perfect lips.
Usually, they are considered ideal to the best of plump lips, which
divided into three equal parts.
That is, we get the central part, which
limited by these arches.
And these are the two parts that are up to the corners of the mouth.
They are all about equal.
But not everyone was lucky.
Here I draw no sense.
Because it's really just perfect lips.
These are, say, in my opinion, they are also ideal.
And if a client comes to me with such lips, maxim,
what can this watercolor any, watercolor
lip change
Everything, there is nothing more to do there.
We will talk about all sorts of complex lips.
So here we are.
And wait, I promised to read again after the block.
So, at one point ...
What to do if a woman has only one side left
upper lip with old tattoo purple outline?
Made it from another master.
This is a question!
I will talk about changing the shape.
Especially a little bit, I will talk about the work of others
masters.
And it will be near the end.
I will show examples too.
So.
The program I have is called Autodesk for Android.
Go.
I will now draw what can be done with such lips.
Now I will find them in the gallery.
“Slide plus tablet”.
Now I will show you those lips.
I have sinkers, sinkers, but they do not want to appear.
So, I need to find them here.
Here they are.
Here we have these lips.
See, here comes a client with sharp corners.
They come often, and they hate their sharp corners.
I mean these narrow arches here.
That's specifically in this case, it is not necessary to draw
and repeat this form, of course.
You can paint any shape on these lips specifically,
because they are, in principle, sufficiently smooth outlines.
I have a friend, Zhenya, who has very bright embossed
these are the corners, very sharp, very prominent and very
are close.
I still wanted to take a picture of her, but I forgot.
I did not want to use it as a case.
Now I find the chalk suitable.
See, first, I will now on every lips,
I will draw the same.
And then on clients I will draw equally.
But it should help you.
How do I draw a sketch?
Look, here we have a big enough lower lip and a small
upper lip, plus with sharp corners.
Look, starting from the top is not very correct.
Those. I can, because I immediately clearly know that I
need to do.
But you have to start from the bottom.
Why?
Because you have to understand how big it will be.
Those. you need some kind of harmony, proportion in the face.
And in this case, let's say you can draw your
lip there with the help of these simple straight lines.
Find it by symmetry all.
Because often the lips are very slightly moved out
to the side.
Here I will deploy.
Those. I schedule for myself the maximum width of the lower lip and leave
on top to mark also for myself the maximum
width of the upper lip.
If I want to smooth my upper lip,
then I ... smooth - this I mean soften, not repeat
these are sharp breaks.
Then I immediately round.
I do not lead right to the corners of my mouth.
Why?
Because I may have nowhere to come.
Those. I must come out of this corner to understand
where do I connect these lines here?
You can try it for yourself.
And, in principle, those who constantly wear lipstick, they
they paint their lips so that they are symmetrical
as much as possible.
Those. can be like this, gradually, to connect left with right,
so that this line was as perfect as possible.
Plus ... what did I want to say?
Sclerosis attacked me.
Plus, if you doubt symmetry, you can directly
here draw these lines that go down,
to understand how much you have here
distance.
Then it's all just paint over.
Those. Here to round here specifically these lips,
you need to add here in the empty places, also
soften and get, almost too, the ideal shape of the lips.
And after that, just as well, you come out of these
external parts.
Schedule where you will leave.
And connect with the lower lip, oh, with the lower one here this strip.
Those. This is the easiest, easiest and fastest option.
lip rendering on the client.
I am just talking about a sketch right now.
And fill.
I always recommend filling lip.
Because the line you draw can be
somewhere thinner, somewhere thicker.
And you will, like this, not be able to understand.
Suppose here it is thick, thin here, then
thick.
Symmetry is no longer perceived by the eye.
Therefore, you need to fill your lips to clearly understand
what is your shape, where something is missing.
That is, here is a possible option, the maximum volume, here
on those lips.
Those. go, let's say, here in this part, on these
specific lips, I do not see the point.
Because, look, there is already growing mustache.
And as if the lips on which grow a mustache - this is at least
strange.
This is a zone where pores already appear.
Here they are not visible.
Here, as if they do not have much.
But, in my opinion, this is right here the most optimal
opportunity sketch, here's your case.
The only thing that can be maybe a little bit is
these are the places in the arches area still round if the client
will want to.
Because specifically in this case, it is possible.
You, Zhenya, it will not work.
I know you are watching me.
We will work with what you have.
Because not always, after all, I repeat again, we are omnipotent.
So, this form is understandable.
Yes?
And by how to find harmony: we start from the bottom,
denote the maximum width, then look for the maximum
width on the upper lip, and already drawn further.
So, I clicked “slide”, “slide only”.
Lower more and sharp houses.
This is the second option, when the lower lip is larger.
And I'll find you now too.
Those. This is a rather complicated option.
Because the upper lip ... oh, somewhere slipped.
He dulls.
Yes, all the lips that we are going to paint now and
discuss.
Why so much rode away?
Can you return?
I'm still looking, return, please, on this slide,
which was my second lip.
For now let's answer: what am I drawing a sketch with?
I draw a sketch, I will speak further about the materials.
I'll show you what I draw.
But this gel pens.
The very first output on the tablet while me, please.
Zhenya, you are here, yes?
Elena: it is better to work on the lighted surface of the lips
darker pigment.
Give an example, please, if you take papallet (46:12)
contour lit to pass undiluted, and for the main
plane add white or dilute with solvent
to reduce concentration?
Or even take different colors?
Great question!
Let me answer it too later with an example already.
Just when I talk about this example.
I generally do not recommend doing so complicated
work on ordinary lips I recommend doing it
in exceptional cases.
Those. consciously take and increase lips due to
adding white, there are different colors, etc. I do not recommend.
Those. if a client has come to you and he has some kind of
thrash, and you can't remove it.
And something must be done about it, then yes.
Then you can use these things in order
to correct what a person cannot live with.
And ordinary lips - do everything that you can without breaking
rules and send just to the beautician.
This is the most environmentally friendly way to work with clients.
But I will tell you about this further.
So.
I search there I had lips, I remembered them, now I will show.
Here they are, here they are these lips.
First, what makes life difficult for us - bright lip color
your own
It seems like good.
But in this case, so that there is not a lot of pigment,
there was no fudge paint, you have to pick a color,
most suitable for these lips.
Until they are painted over with a sketch, you have to choose a color.
But it’s like I'm leaving you alone with a client.
The fact is that you will need to change the shape of the top
lips, and you have to fall out on the contour, on the skin, on the white,
on the other.
And the color should, of course, be packed tightly and be maximally
similar to your customer color.
Here, let's create a regular form, a classic,
basically.
When a client does not know what he wants, I always draw
classics on any zone.
And it all goes.
And that's fine.
Those. same.
I mark the border along which I will work.
So size, mix, which one to choose.
The boundary to which I will work to increase,
and then I leave on the upper lip in order to draw
new form.
I like...
I do not like, in itself, very round here these arches.
First, it's a circle and it's hard to draw it perfect.
and ideally mirror the second side.
It's like a very round head or just such a round
eyebrow.
I do not like such forms.
Therefore, I try to draw with such more or less
simple straight lines.
Here is the work zone, the zoom zone in this particular case.
That is, we capture, see, I will increase, we capture
zone here.
Seen, yes?
We are capturing a zone on which there is not yet
there are cracks, these here that go all lips,
but there is no color.
That is, we can work boldly in this zone and I cite,
as usual, the maximum ending at the corner of the mouth is nowhere
falling out.
If you want a little volume of your client or you,
then you can do a little bit in this part,
let's say add, round off.
And then bend and come all the same in the corner of the mouth.
Those. Of course there are many options and some masters love
to draw.
Now, on the other hand, I am also drawing a quite possible
the form that some masters paint.
And she goes to many.
Those. right here is such a round lip that goes straight right
to the corner of the mouth.
Those. quite acceptable, and beautiful, and as much as possible
volume
And we have not broken anything.
If, after all, your client is not enough, she
just two injections will twist a little bit and increase lip
in the area that's just in place of a color deficit let's say
so, and volume.
Well, the lower lip, as usual, we go out of the corners of the mouth,
so that we can connect these lines, and we connect seamlessly
with this one of our straight line.
Everything.
And as always we paint over.
So that all this should be united, softened.
See, on the bottom, if I work dark, lip,
dark color visually narrows the lip.
I will now spread it out, because this is my coal.
This is how I paint with coal like here in color
in the palette.
Those. This is the work zone for you.
Everything else is taboo.
That's specifically on these lips - everything, you have nothing more
you can do.
Understand this and never draw around, do not fall out!
Send the client to the beautician.
So, this form is understandable.
It attracts attention, they can answer something.
If the lower lip is bigger, is it possible to paint it less
in size than it is?
Great question, Irina.
If the lower lip is larger, if it is straight very large,
this also happens, and the top is small and you never
you will not achieve harmony in this face, sometimes you can
a little bit how not to paint.
But almost always it is visible, striking.
Yes, you can not paint right to the edge, to
the ribs.
Draw a shape a little more smaller.
Sometimes, by the way, there are such lips that I say: “Lips
you will not be decorated.
You do not need to do a tattoo of lips.
Everything we do will not make you more beautiful.
Let's make you eyebrows or eyelids.
And it really is there to distract from the lips. "
Here, i. sometimes come with such thin, small
lips
There is nothing you can do at all.
Those. why to them at all then attract attention.
It is better to leave on the eyebrows, or forever, or in the gym.
So, what about us, everything is fine?
I will now show you the next job we need.
will draw.
I need the next slide.
Show me the following form because I don't know
what is there
So, okay, I will choose any.
This is how we have small lips.
Okay, I'll just pick them all one by one.
I chose specially complex cases.
Have you noticed that the master at master classes, at some
webinars and other things, they show perfect lips,
perfect shape.
Where it is not necessary to change the color and, in principle, all the masters
and you, too, for sure, yes, and we, too, we exhibit
attractive lips.
Those. they are so plump, and they were so cute.
And just for the portfolio - it's beautiful.
But we work in practice, most often, with some
very complex forms, not beautiful forms that
need to change, which we put something then we can not.
But I chose those with which you have to
work.
Well, like us.
So, look, I will now choose a color here too
as close as possible.
A little bit brighter than you need.
Those. this is exactly the option.
First: lowered corners.
Secondly: a very small mouth itself.
Look, on the scale of the face, the lips are straight small
against the background of large cheeks.
But we cannot do much here either.
That is, firstly, we are limited here by this size oral
slots.
And we can not, I would like to, but we can not incise.
Also for sure, I mark here a maximum on the lower lip.
Here, too, corners are pronounced, but here such a zone
work.
I took a too bright color.
Now I will change it.
More similar I will take.
Those. What can we do here to increase?
Here it is, the area of our work.
These sharp corners and, in principle, a small mouth,
I would remove all the sharp lines.
That is, no small sharp arches are needed here.
Everything should be as soft, smooth, not attractive
Attention.
And of course you must know, surely you know it,
but I will say: on small lips we do not use
bright color.
Never.
Because they just shrink to the point and it never
will not be beautiful.
Those. here, by the way, in a subject about that, here, most likely
so be it.
What should not the lips converge at one point.
Because if I ... Although it may not be so here
will be.
But there I will have such a slide, where it will be clear
why the lower lip can sometimes not come where
top.
And vice versa.
Because just some very lowered lips, they ...
You just emphasize this omission if you bring
line right up to the corner.
It is not enough to say to a person: “Smile constantly!”
We have a hard life, all women come with lowers,
sad corners of the lips.
See, right here I have shown the maximum that
can do for these lips.
I always worked in a zone where it can be done quietly.
When enlarging the lips, you must work either tightly, very
bright lipstick, or very bright pigments.
Those. in this case, I would recommend the very color as much as possible
light in your palette, but cover.
Bridesmaid - that means when it is very good at painting.
Here it is.
Right to completely avoid the sad corners of the lips is not
It turns out in this case.
But that's about as much as you can.
Seen, yes?
Here, even I would have softened this zone to
corners are gone in the arch area.
Those. that's all you can do with these particular
lips
Look!
Is the image normal?
Good?
Here is a tablet ... And, by the way, this can be done on the phone.
I write a lot.
Or you can take it, tablets of such graphics are just
Nemer now on a completely different price range
you can navigate.
And they are very cool to draw.
Very cool to draw these forms here, watch as
she will go — will not go in the face, arrows, eyebrows, all-all-all
paint.
This will really help you a lot in your work.
So do not be stingy, buy yourself a tablet.
So, on these lips it is clear, yes?
What good pigments dyes?
What are the company programs?
All right, all right.
This is all well visible.
All perfectly!
Autodesk, yes - this is a program, graphics editor, not
editor, this is a drawing tool right.
Here, designers draw in this program.
She is very cool, zdorovskaya.
So, we go further.
So, so, I already clicked “I + slide” and the next one
will ... I rode the program.
It was, I painted.
So, here.
Here I will find these lips now.
The so-called “fish mouth”.
It is practically a “fish mouth”.
Those. On such lips you need to create an arch.
Arches to be beautiful.
Because there is a strange category of women, which
asks to paint over its beautiful arch and category of women,
which wants to draw, finally, normal
lips
Because they are not created by nature in this way.
Where are you, where?
Here she is.
See it.
By the way, I can tell you how to determine
terrible lips, which reluctant to work.
These are just such lips.
They will be very soft, they will be all in fine wrinkles,
and they will drag on forever.
Although a lot of work on these particular lips.
Because you can increase them here.
A beautiful shape can also be created.
Because a lot of empty space around.
See, yes?
I'll take the color more brightly.
See, this whole area can be quite yours.
working.
A little brighter take it.
That is, here.
Here so you can increase a lower lip.
Immediately, I again, as always, define for myself how
would be the border, the maximum thickness.
And go upstairs to create a form.
See, if you greatly increase, in fact this is the whole zone,
where can i work
Here, even more than 2 mm.
Here, probably, even 3mm.
So high I probably will not go.
But, in principle, it is possible.
Because, first, the smoothed relief.
Secondly, there are no pores, and no hairs.
The pores start here in this part.
See you
But here we are already going to reduce.
But now I will draw it completely.
Those. Of course, before you start drawing, you should ask
what does the client want, in principle, what
the shape that he likes.
In this case, look, there is a bright color mixed
with a very pale somehow.
Those. Some strange, spotty lips.
I would have painted them all well.
Because they are really spotty to even out
here is this color.
So.
But with such lips ... Now when I see such lips,
I immediately draw something to maximize
there was little work.
Because you are tortured to pull them.
They will drag on forever.
Soft, volatile and, in my opinion, I just had such.
Look!
See, I always stretch.
Here even here I paint over, stretch.
Because it is very difficult for me to perceive the form and symmetry
shapes if i dont paint over.
That is, I am planning here as if about.
Because this is not a sketch for a real person.
Those. I show you the boundaries where you can work
with this client.
Here, here too.
See how much you can do, pretty round
lip.
I draw with a stylus, I was asked simply.
The stylus is just a pen that comes with it.
with a tablet.
If you find it difficult to draw, you can draw straight
lines.
And then a little round in the same places on the left
and on the right.
If you ... you are already a more experienced master or are friends
with symmetry not bad, then you can draw right away
with round lines, taking advantage ...
But I will talk about sketches tomorrow.
Directly on the person to show.
But how tsyrkulem using.
Those. Expose the hand and draw in this way.
Or put on the nose and draw the bottom line.
It’s sometimes harder to draw on a tablet than on a person
in fact.
Because I can not turn it.
Well, that's about your work area.
So, I got here.
I did not use layers, lazy.
You had to use a new layer, draw on
him
And now I can not erase here.
Those. here is here a piece of extra.
I, of course, see it.
Because I'm fine with symmetry, but okay, I just
I will increase the next part.
Sometimes a millimeter is enough to
align by symmetry.
And sometimes a mile of a fraction of a millimeter spoils everything.
Just do not give live and work normally.
In short, this is an approximate increase zone.
Here you need to erase.
But now I will not give a tablet.
Because I will wash as if with a skin of the face.
Everything, next time I will open a new layer.
Because it will be easier for you to understand.
And here I am too lazy to re-draw everything again.
So, I need the next slide.
I open the next slide, “I + slide” Oh, this is great
lips
Look!
But they are for some reason not in order.
I need previous lips.
Are they, yes?
Is everything okay
He, in my opinion, freezes.
Can I have the next slide again?
Thank!
Here are the lips of our student who recently came
to my VIP course.
I have it from Vietnam.
And they have very beautiful, full lips, all Vietnamese,
who came to me.
I'll find you now.
She did the procedure with us.
And sent, by the way, healed, but in poor quality.
It is an eternal problem to find healed.
Because everyone takes pictures, do not want to come.
And take pictures of Sikos Nakos.
But I will show you, by the way, how they healed.
But now I will find you here to draw.
And why did I find the master?
Those. She is a good master, quite experienced.
But, apparently, with such lips did not come across.
And she started with the upper lip.
And so without that huge upper lip, she painted
more.
Because she added some arches there.
And the lower one is limited, there is a shadow, there is no place to draw there.
So here again, as always, you start with ...
So, I wanted to create a layer and draw on it.
Here you start with your lower lip in order to understand what
it will be your size.
That is, you need to balance them at least a little bit.
It is clear that the lower one will never be like this.
as big as the top.
But, in general, the girl was very beautiful.
And it did not spoil it.
But she wanted, nevertheless, to increase the bottom.
So, here I mark for myself the maximum zone,
in which I will work.
That is how much I can increase this lip.
Seen, yes?
I'm sewing this place now.
Those. all, then there is simply no way I can go.
Because there is already a depression.
This one is a hollow.
Although she is not very pronounced in her,
however, this is a taboo area, let's say.
And even I will completely draw the bottom lip.
To understand what I can do with the top.
But, in principle, we did.
This was Wendy, my student.
Very cool!
She, by the way, came to me twice from America.
She is very meticulous, she wanted to know a lot.
See, that's all you can do with your lower lip.
If she wants, she can increase it with the help of
injection cosmetology.
But in our power to do just that.
Everything, you can not go here in this zone.
You cannot work there because it’s just
skin on the face.
This is another plane.
It's not beautiful.
And it will create a lower lip, make it so square.
Because just all your work in this area will not be
visible, because it is there, conditionally, around the corner.
And what can we do with the top?
See what small changes I make.
That is, a little bit here to draw here to
create a form.
Seen, yes?
I am drawing here in the inner part of the arch.
And a little to finish in the outer part of the neighboring
arches.
See you
Now take the color more red.
Because it looks brown.
Those. Here I am drawing on the surface of this external one.
Here, too, such bright lips, that they and the color is not particularly
need
They just create a form and align somewhere on the little things,
as symmetry as possible.
Those. all work on the upper lip that can be done.
Well, this is me now about the form.
With the consent of the client and from your experience, you can
draw a little bit here in white, bodily
color to create, if fully “fish mouth”,
in some cases when the client is absolutely certain
longs for it, goes for it consciously.
And you know how to do it too, and you did it.
But most often it is not necessary.
These lips are beautiful.
There is no need to draw here these limes, white,
white.
Here is some nonsense.
Most often it also looks very good in a couple of years.
strange.
Everything.
The rest of the work goes inside just lips to just
to equate dorisovanny, so that in color some
align the nuances maybe change the shade.
Because she wanted them brighter right.
The fact that her lips are large, her bright color could easily fit.
If I find her now, I will send you, I will show you.
So, I remember, I sent it.
Here she is.
Those. she was doing well, but the photo as always, right
so-so.
Those. there is an enlarged lower lip and a modified shape
top.
But the photo, as always, so-so.
What?
Which one did I show?
Who is not visible?
Is everything ok now?
Look, there is a lot of work to be done on the corrections.
Because a little bit ... or this is the perspective.
But everything is done on the lower lip, even
came here a little bit.
Well, whatever it is.
No more, no more.
So, we go further.
I need the next gallery slide.
So faster when I ask you, Yura.
Good?
Because I'm here picking, looking for my own.
This is just a disaster.
That's when these lips come - even cry.
Yes, these are very thin lips with which it is very difficult.
work.
And I was here in America.
I do not know, right here such thin lips, I met
most there.
In fact, Asians are all with such cool
my lips came to me and those whom I saw.
I lived in Kazakhstan, and there, too, straight puffy lips.
We meet different, but that's so thin
I did not even find it in the database.
I found them on the Internet just.
But with them, too, sometime have to work.
And we need to understand what we can do on such
lips
Where are I here?
It can not be that I had not shook them.
So.
Here they are.
What do we do with such lips?
Do you know what the joke is?
But I came across such lips in my work.
the past.
They are inside.
That is, these are the lips that are, but they are there,
inside.
They are wrapped.
And you, it turns out, are working, in fact, here on this, on
edge of the lip, bordering the skin.
And such lips grow well.
Those. beauticians add volume somewhere here in this
parts.
And they seem to turn out just like that.
Here the task to turn out.
What else do surgeons do with such lips?
Well, let's not be distracted.
Those. area of your work, it is limited right very much
much of this relief.
So, I need a normal color.
Those. sometimes these lips are worth it if a person is not ready
then go to cosmetologists to increase, better with them
not work
Because not you, not the client will not be just satisfied.
Or you create a form and send a client to
increase to cosmetologists.
Ie, as the lower lip, you see, is very limited
strongly, on the top one could draw
somewhere in the area even here, perhaps.
Although there are hairs there, I saw such works.
But I do not recommend it.
Because you make it bigger and bigger
upper lip.
And the bottom will still remain the bottom.
Because you just have nowhere to go.
Therefore, all your work, it is here.
Here she is.
It is even worse when such lips are also from a large mouth.
potion.
Those. they are narrow and everything you do is just like
would make this narrowness brighter.
Therefore, it is better to distract the eyebrows.
I was, I remember, amazed.
I was at a master class with Julia Konstantinova.
I do not know, about 6 years ago, a long time ago.
And a client came to her with such lips to us.
on the lips.
She said: “You do not need to make lips at all.
Let's make eyebrows.
And eyebrows will decorate you, in this case, not lips
at all. "
Because customers do not understand where the boundaries are: where possible,
where it is impossible.
And come with the hope that you draw now here
On such lips a gorgeous, new shape.
But everything that you do on such lips will be nonsense.
Therefore, it is better to draw attention to the beautiful new
eyes or eyebrows, for that matter.
That is what you can do on these lips.
Then you simply have nowhere to go and you, in fact,
see how I don’t try to enlarge those lips they
do not become more beautiful.
There was no sex in them.
In reality, as was the gap, the gap remained.
So if you came here such lips and a client
not set up to increase, all your work will go
cat tail.
She will not become more beautiful.
But, and if you draw like this and go somewhere ...
You know how I saw such lips too.
Those. here is a man is limited.
Those. all, no further work is visible.
And here a lot has been drawn.
And such a lip appears, such a strange shape,
offended such.
That is, do not do this.
It is not right.
Those. know how?
Do not make all the money and create such a person
besides, the expression of the face is that all the upper lip is all
equal much increase will not work.
These lips are not beautiful to do, in short.
I showed you this example because I myself came across
and I passed it.
Because I'm then under pressure from my client
drew something there.
Looking at himself in the mirror, he was not happy.
I was not happy because my client is happy
was not.
And you just had to make a beautiful upper part.
faces.
The ambush is that these beautiful girls who have
beautiful big eyes, gorgeous eyebrows, cool
lip shapes and they can be made even more beautiful.
And sometimes come customers that you look at him
and even cry.
Just so that you do not, he will not become more beautiful.
But all the same for his inner feeling, self-awareness,
we have to do something.
And you should choose and advise what to do.
So I need the next slide, Jur.
Wow!
I drew long lips, and you did not see them?
I did not see this?
So, I apologize.
I'll draw those lips again now.
Yes, I understood.
Watch this, okay.
Tell me.
Because I ... I beg your pardon.
I'll draw again, all that is possible, on these gorgeous
my Vietnamese lips, my master student,
who came to me.
Can you see it now?
Yes, turn it on.
See, a very large upper lip.
The bottom is also a beautiful shape, but it is small.
It is much smaller than the top.
Therefore, what can we do?
We increase the bottom as much as possible.
You see, here it is this light skin, which I
painted over until the moment when darkness begins
this one is a shadow.
Those. there is skin already, it is a bend.
Immediately I draw all this outer part, as far as
it is possible.
I round it up.
Because in general, the lips are so round.
Therefore, I repeat these forms.
I understand.
From two sides I do it at once to appreciate the whole
this volume that I create.
And all that I do on the upper lip, it will now increase
and show.
Look, we are on the verge of not being here
this arch.
These lips, but they are not symmetrical a little.
And I need to add here in this part so that
more symmetrical.
I do not increase at all.
I just, as it were, create a slightly new form.
And in this outer part, what am I doing this way?
I kind of smooth, soft, but I draw new arches, which
will be more visible who will create this one
form.
Those. all your work is this, does it see where it is concentrated?
Those. due to the fact that ... what is it?
Left, right?
I'm confused all the time - right.
Due to the fact that its right arch is higher and sharper, the lower
more sloping, I can draw, here
this is a place to increase.
And all I have to do is just ... here these
fractions of a millimeter.
No increase at all.
No increase in the upper lip.
Now I will stretch it, spread it out, which, in principle,
the master did.
I’ll probably look after each slide
to chat so that there is no disturbance that I don’t pay at all
Attention.
I apologize so much for being carried away
by drawing.
See, this is your form, which is possible here on
this client.
If suddenly she wants absolutely perfect symmetry,
then she can prick her lower lip too.
It will drop up, it will become larger and they will become
the same
But she is so bright, so pretty
in the form that she is this girl, woman, that
she does not need.
She is pleased.
She's all healed, everything has healed brightly and she is completely satisfied.
Everything?
Now it is clear?
And then I showed it already healed, but in poor quality,
as it should be.
But she lives in America, so I can not
better show.
So, the lower lip ... That's it, I understood.
So, I have drawn, we go further.
I will now answer the questions.
Well, with narrow lips, this is really my opinion.
There is nothing you can do with them.
Nothing.
So, again, a lot of comments, which, unfortunately, make
watch me for a long time
All right.
Essentially no questions, go ahead.
So, what are our lips?
Omitted corners.
I don’t know how, which countries are you from, but
there are so many lowered corners in Russia, probably, just
because women eventually begin to walk with such a face
look like that.
Therefore, we work with lowered corners more often.
And really difficult with them.
Because all that can be done with lowered corners,
it is easy to pull on the ears.
What were there from lowered corners?
I have several of them in a row.
Therefore, I will now draw everything.
Let's say here these lowered corners.
It is also a young face.
What can you advise?
Smile more often, make threads that hook
ear and lift corners.
Well, as if our customers are not ready for it.
Lowered corners can not be exacerbated, so to speak.
If you still want a little more brightness and volume,
then you have to work with them in such a way that
they did not become even more pronounced omitted.
Therefore, by the way, here you also see quite complex
lips
I need to draw on this layer so that if anything
wash.
Those. i find the maximum point at which i can
or forced to work.
Sometimes, I just have to work there.
Or you can even not even start working.
Because it is relief, it can be seen this is the bottom point
and the surface I have to paint over.
If in this particular case I’m leaving trying
enlarge right corner of the mouth, look, visually ...
Now I just show you.
If I paint it right here, so that I don’t
did, this mouth from a great distance, from a distance
communication with the client, he will be like this, right here lowered
strongly, ugly, dull and more beautiful, I will not make it.
That is, I must not emphasize this dull place of it.
Now I will draw everything that can be done with these lips,
without departure to the beautician.
We mark the bottom, we leave the maximum here up.
Those. I, rising when to the top, I do not go straight
to the corner itself.
I rise as far as possible without affecting
corners.
Right here are these corners.
Those. I probably won't stay on my lower lip
I know, 2-3 millimeters in the corners, which I will not touch.
Because I can not just paint over this area.
Here in this part I draw right here, see.
Right up to the point where it begins ... Many, probably
noticed.
Here it happens as if a pimple, such a lump
some kind on lips.
If it is painted over, it always sticks out ugly.
It is better not to touch her.
Therefore, you can reach it.
And work on the upper lip.
That is, I, as it were, increased the bottom as far as possible.
On the upper lip, I will have work in the zone too.
See, I will increase.
See, this is the whole area, where we still go
lip skin
It seems that I can work on it, but there is a risk that if I
increase right so ... Look!
See what happens?
The upper lip will, as it were, hang.
Increased, it will be too strong.
Those. my work area, that's where I am now on my right lip
I work.
That is all I can do.
Although it seems that if I increase it, I can work more broadly.
But from the point of view of the most simple pictures, I can not
work there because it does not decorate the client.
Although it will make her lips, it seems, more, but not
more beautiful.
And here in this part, I can round it up a little
and come to the corner of the mouth right.
So, this is what I need to erase.
Because it bothers me.
And draw the second part.
Here you can also see that the lips are knocked out by herpes periodically.
Those. when you see such rounders, you know, like voids
in the form of roundels, then most often, this is what happens
with lips for herpes.
Because the herpes that often appears in the same place,
sore, that she knocks out the pigment, takes with her.
See, one is a little sharper, one is a little more
round.
That is, you can draw and so and so.
These lips, however, do not matter how to draw.
But usually, I try to soften.
Those. zone of work, increase your - here it is.
This.
Further it is impossible.
And you have to make them smile, these women.
Because this form is created not only by our cut
oral cleft, but also muscular.
Therefore, all that can be done is this.
Here is this zone.
Although I’ll repeat it again: look, this is how this place is asking.
paint over everywhere and zoom in.
Because what is it like?
So much good to increase disappears.
But in her case specifically, it will not become more beautiful.
Lips will not become more beautiful.
So, I need the next slide.
For now ... update.
This is one of the most difficult cases.
I have such age clients, most often it is
models on training.
That's real.
These are the lips I swung from the Internet too.
They are because it’s so so lively now, so ...
I need a tablet, yur.
Please turn on the tablet.
And I will now show lips like that.
Here it is.
The same, in principle, lips.
Very age woman.
This is the most difficult case when many
here's these purse wrinkles, which ... The form is already lost.
You all probably noticed that with age the lips just
as if wrapped inside.
She is.
She just ... It's kind of dystrophy there goes layers
some muscles and we, everything hangs.
Gravitational ptosis and everything changes.
And in the case of this particular here, let's say a woman
we can't even work on these deep pussy
wrinkles.
Firstly, sometimes the pigment swims through the wrinkle-like wrinkles,
rises up, even though you painted as it should be.
But when he heals, the client comes to us, and he
such directly swum, as on centuries.
I watched such work with my students.
They sent me.
I did not see such works live.
This problem can be avoided by painting at the contour,
when you fix the contour as gently as possible.
Don't you know how?
Sometimes some masters do this: entered the skin,
and in the skin being straight, like a black arrow
paints
That's right here and there, right tightly-tightly picks
In one place.
In this case, a very great risk that goes.
Those. severely injured skin and also exactly on the vascular
she rises.
And most often in the purse-like wrinkles.
Those. as superficially, densely, but softly, as if
coming out of the skin.
Such ironing movements.
Although, it is necessary to paint much on such lips, but you don’t
can strongly push and hurt such
lips
See, our work area is here, I will increase too.
See how the space between the wrinkles
and ... a little warmer will do.
The space between the wrinkles and the most red
already, by the very red color of the lips.
This is your work area where you can do something.
That is again.
This grandmother was with us for training.
I remember.
By the way, look, what I do, on such specifically
lips and have to do.
Because I took a warmer color.
Her lips are purple-blue and they need to be made more.
warm and more so ... This is, of course, from the color.
More warm.
No way, no cherry, horrible flowers.
Because they will exacerbate this blue.
That is, here is your work area.
You can't go here for wrinkles.
Because it is already the skin of the face, completely different
by structure.
But you can do everything that you can - it’s at
help warm lip color, well, at least to create
such a form.
Those. everything.
Why do I focus on this?
You are now studying in our network.
I see such works that come to be deleted.
And this is terrible.
That is, it is terrible.
These are the lips that are drawn so very much
around.
This is who does.
This is done by novice masters.
Often under the pressure of customers.
There is a myth that if you work on pussy
wrinkles, they straighten.
Do you know how?
My pussy wrinkles - maybe yes.
Because if you look closely, I also have somewhere
not big here these creases begin.
Those. I wet them with hyaluronum.
These are the wrinkle-like wrinkles ... You won't do anything like
you would not pick there.
And it is a myth that walking on them, you smooth them.
I saw, there was a master such, existed in the open spaces
conference is very strong, active - Anna Savina.
And I saw at one of the conferences.
I think: "God, why waste my time?"
She worked like that on wrinkles.
Those. she straightened their type, traumatized the skin and there
the woman is all gone in such as if cuts.
Attempting permanent makeup to bring in some other
areas where you don’t know what to do with
at conferences.
Well, I'll do some more such heresy.
That's all you can do.
If grandma wants, then grandma can do it.
Does it decorate her?
Well, in my opinion, not much.
But not for us to decide.
If she wants to be brighter, prettier, then you can.
But if suddenly there were eyebrows or lips, again we leave
better on them, upstairs.
I need the next slide, please.
So, abandon the current sketch.
Ah, well, here again we have piled up lips.
I chose a lot of piled up lips.
And they are of complex shape, quite.
I'll show you now.
They are also dug up with just herpes, pigment
knocked out.
So, I need to find them.
Here they are.
Some kind of small photo by volume.
Okay.
See, these lips can be made, well, sweetie.
And also.
I'm an amateur to work minimally on any zone.
Therefore, I urge to do the same.
That is, you should pick up the pigment as much as possible.
on the color of the lips and how to fill in the empty spaces.
This is the perfect option.
Those places where you connect, like pouring your color
Stretch on the lips.
And that's all you need.
See, here we draw the bottom again.
We find a color that looks like it is beautiful.
Draw the bottom, find the maximum, maximum
the most volumetric part possible.
Then we go upstairs and draw what we can.
See you
The upper lip is what a complex shape.
That is, here, in essence, we need to connect here,
pass the.
Now I will take a darker color to be seen.
Those. these are the corners we need to paint well,
so that the lip becomes ... See how interesting it turns out!
I take different colors.
And as far as the colorful lips in the shadow parts,
in lighted parts.
Those. I need to work in different colors, drawing
for you to keep your lips from looking horrible and spotty.
That is, here, without breaking the contour.
Because here I am, let's say, I see no point on this top
lip beautiful draw something outside do it some
more round.
That is, I only draw in small ones
here these voids.
And we need to paint over the corners.
Put right here clearly to the corner.
On the lower lip we have a lot of work.
Because she sees a strange form.
And moreover, here again, look, we need to withdraw
from the corner and connect.
So, I need more, probably pink, to be
I can see what I draw.
See it.
Good visibility?
That is, this place we need to round, no way
not thickening the lower lip.
Because it is rather voluminous in the bright part,
And look, not to make those lips, young, beautiful
lips lowered, sad, they also have corners
trend, here's the direction down, I do not bring right
to the corner.
I ... So, I chose the wrong color.
Pardon me
I will choose the right one.
Because it looks ugly.
Just a little warmer.
Those. Here I round the outer corners of the outer parts on
lower lip.
And do not strive to bring right to the corner.
Because in this case, it is not necessary.
Because it will make our young face down
lips
But at the top, we bring it almost to the corner.
Except ... Here I was mistaken and took
thick marker.
But I can erase it like this.
Those. This is our zone.
It should be, as it were, not touched.
Therefore, all your work is small, it is focused
here in these parts of the lips to make the bottom rounded,
but not bring straight to the corner.
Because in this way you lower those lips.
And a little work on creating an outer contour on
upper lip.
Basically, in this part you have to paint well.
straight to the corner.
Those. pretty simple quick sketch that makes these
lips beautiful.
If they are also correctly painted over.
And the form, of course, strange.
To live with her is not very cool, I suspect.
Next I turn on, please, Jur.
O. Are we out of lip?
How much time did I do it?
So, almost 2 hours.
So, well, I have to go further.
I, of course, have a few more interesting cases.
But it turned out, in time for quite some time.
How many sketches did we draw?
So, I will check now.
Come on, this one is a difficult case, I'll show you.
Because sometimes lips come pouting gel, and
This gel, which is no longer removed.
There is hyaluronic acid, which is of different density.
There is a very soft that goes away.
It moisturizes and leaves without a trace pretty quickly.
There is an average that keeps there some way, I don’t know
of time.
And there is a very high density, which is really nowhere
does not go away even after 2 and 3 years.
And a man walks with such lips.
And the masters say: “No, you have a gel, I will not.
He leaves - they will be distorted. ”
No, it is necessary before you work with the lips, in which the gel,
find out what the gel is there, how long it is there.
Because sometimes they say: "No, I myself am so."
Well, we can see that it is not.
So here.
And there are also polymers, some biopolymers, which in general
only surgically removed.
They also migrate - it is generally scary and terrible.
But now they do not use it.
Here, for example, lips come to you here such distorted.
What can be done on them?
First, it is uniquely only a dense paint.
along the contour.
Because it is very necessary to change the shape.
Here the gel began to migrate.
From this side you see how such bumps were formed?
That is, it does not keep in the plane where it should
was to be.
I'll take a brighter color here so that it is good
see what to do with them.
Naturally, you first discuss what she wants
on the upper lip.
The bottom is always round with us.
I also outline ... See, it is asymmetrical.
Those. I will have to work on symmetry a lot here.
So, what's with my chalk?
Those. here is the maximum width of the lower lip and a lot to
will work.
You see, here in this part from the stand, where less
gel, I can immediately draw, connect as I deduce.
It is at least very good that the corners are not omitted.
But it would be generally sad.
Those. I draw my lower lip, well, as far as possible
maximally round, not paying attention to here
this sticking corner, a bit down, where there are many
gel.
Well, it's from that opera, someone asked a question about
that if you need to reduce.
Yes, in some cases, I deliberately do not touch
some part of the lip, if I need to align with symmetry.
It is a mimic habit when someone says a lot
years on one side.
It happens because of the brackets worn by customers.
It happens because of some kind of operation, because of strokes,
when part of the face sank, but not fully recovered.
But either here is how specifically the cases when it is a gel.
And you perceive a person as a stain, stained with flowers.
That is, the lips should be quite symmetrical.
If your lip goes low here, it doesn't mean
that you must emphasize it directly.
Here you can work a little higher.
And here you see how well lit?
That is, I would have this place softened and did not go out
I would ... Ie here is the work area.
See, I will increase too much.
Here is where to go.
Therefore, the skin is stretched and distorted by gel.
She seemed to have lost the initial relief, which
had this man, this woman.
And, accordingly, from this side, too, in the region
skin can work.
That is, the place is smoothed and here it is, and so on
smoothed out, in principle.
Also thanks to the gel.
Those. This whole area can be worked very closely.
But on the lips with a gel, for example, I love to work because
that they almost do not need to stretch, they are so dense, on them
lays, most often, the pigment is excellent.
The only thing that gets in the way is these
strange forms that customers receive due to
errors of the work of cosmetologists, perhaps, or their excessive
desire to increase some of their lips are not voluminous.
Therefore, well, here.
Approximately this form is quite possible on these lips.
If you leave these places completely empty, it will be
well, not very pretty.
How much can, of course, need to hook, paint over
stretched skin.
I also noticed, well, I saw such lips: I have
girlfriends who increase lips.
It is quite beautiful, saturated with color lips, after increasing
gel, it becomes like balls too inflated and lose their
natural color.
Because just like stretch.
It doesn't look very nice either, and they need
in new color.
Because with such lips in life to walk, as it were, very
heavy.
So, right here ... All the while, I forget to include a new layer
and because of this I can not erase.
But I will do it like this.
Those. these are the corners that were there, I would have softened
also the maximum.
To lips were soft forms, do not rush into
eyes.
Those. when something strange on the face does not need to make bright
contours, very bright colors and some crazy
corners.
I also met corners on the lips more than once.
And what's more, consciously made by customers.
They insisted on these forms.
In short, that's about the shape this client shines,
which has such distortions in the lips.
In principle, quite normal form.
The only thing here are these places, due to the fact that the volume
the shadow has been transferred, you can do nothing
affect it.
Well, everything.
I think those who increase the gel, as if they are already used to it.
So, we leave forms.
I think I hooked a lot, almost everything.
Everything else is, in principle, like variations on a theme.
They, plus or minus, all have the same lips.
So, I want to read now.
I hope you wrote the questions?
About sad lips.
Thank!
Color for drawing brighter.
Well, I already ... sorry, I painted it.
Polymer ... So.
Let's analyze all the cases that you have.
I have an unreal number of cases there.
Come on, if we have time ... I just need
today really tell everything that is.
And a lot more.
And I will talk about pigments.
Today we still have a block of color painting.
Therefore ... How to work with lips with
fillers?
With gummas with fillers, I say it again, very simply
work.
Those. The main thing is to draw the sketch correctly.
Everything else is on the lips with fillers - right
song.
They are tight, no need to insert a cotton pad, they are not
wrinkles.
Right here is the class!
Is it possible to fix the contour with an empty needle, then
put the secondary and get, thereby, an invisible fixation?
Very theoretically possible.
But this line is not so well visible, and
I have, you know, tomorrow I will have one of the models where
bad lay down pigment.
You can't say that.
I put a bad pigment and there, just, it is clear that
even though I walked and anesthesia
worked, and white, but as if the form is not visible.
I had to draw it down again.
Therefore it is better not to.
Natalia, I do not know what I did not answer.
And, this is, apparently, your question: how to work with gray,
dark lips?
We will discuss this in the color palette.
If I forget to answer, write this question again.
Everything, we go further.
I need the next slide and some water.
So, we have a little bit.
Now we will go over what seemed to be the obvious
but you need to know.
Herpes.
And I often hear that they carry paramedical nonsense and
customers, and they say, "You infected me."
And that just do not say.
It is very important for you to convey to the client that the herpes virus
he already has.
Here even if he never appeared on his lips
sore, on the nose or somewhere else, he already is
there in 98-99 %%.
Lip tattooing procedure is a provocation.
Provocation - the word means ... This, you know, how
provoke a dog: if you knock on the nose,
she will bite you
There, conditionally, our tattoo is a provocation.
That is, as if irritation.
This local lip injury is a provocation.
in order for herpes to appear.
He appears, perhaps, perhaps, half of the clients.
Even if they drink their drugs.
What can?
What can not?
You can not peel the crust - this is understandable.
Cannot recommend - you can not prescribe and recommend
drugs, there is only you not a doctor.
I am sure that if there are doctors here, then a couple of them.
I know for sure that Zhenya is my doctor.
Who else is a doctor?
Well, you have no right to appoint.
Why?
Will explain.
Anti-herpes drugs - they are very serious on
really
And if your client, God forbid, I do not know there,
any kidney-liver failure, and you list
he still has an average dosage, as the temperature, as they say,
by the city.
It may be too much for him.
That is, there was a case with a very famous master, when
her client just thundered into resuscitation after
how this master told her the average dosage that
all about drink, all about prescribe.
She thoroughly cut and thundered.
From the resuscitation call and say that: "What are you - a doctor?
Why are you
Why are you? ”
Therefore, you can only recommend to drink
herbal drugs and as expected they can
not work.
Because if the antiviral really worked, then
we would not have the flu, nothing at all.
Here it is.
Therefore, herpes happens, knocks out the pigment.
And sometimes not.
Because I had clients who were courting
for sores in all the rules there.
I've never had.
Therefore, I do not even know how to do it, honestly
by speaking.
And the pigment was completely preserved.
Those. Only she shows me photos.
There is surrounded by a completely red border all, all in
sores.
And the pigment is preserved.
Just the main thing is not to rip off.
And you must warn customers: have antiviral, herpes
drugs, they do not have a cumulative effect.
They begin to drink, usually on the day of the procedure.
In advance, for a week, there is no sense in drinking either.
If herpes appears frequently, then for such clients
Tattooing lips - this is salvation.
Because, first, they are most likely colorless.
their lips.
Because herpes knocked out the pigment.
And, secondly, they ... These sores, they suffer from them,
they can not be painted and how everyone is afraid to do
tattoo lips when herpes often appears.
But at the moment when the lips are healthy it can be done,
against naturally herpes drugs.
In short, herpes is evil.
Tattoo is a provocation.
Bring, infect herpes, herpes virus to your client
You can not.
You should know about it.
And your client should know about it.
And you must be very careful in the procedure to warn
what he has to drink.
He has to drink and now, and on correction.
But, most likely, the herpes will still appear if
it appears periodically, even if the client was drinking
antiviral drugs.
What else?
There are all sorts of secret treatments for herpes.
The most I like of them is Darsonval - this
electric apparatus that removes the manifestation
herpes in general just for one day.
Especially if it only begins.
But you can google it.
Let's go further.
What do we have next?
Work on the scars.
As I said, these are just scars.
This is not a “hare lip”.
But work on the scars, once again, I already said about this,
can not be kept if the scar is fresh, if the scar is there
I do not know, a year if he did not turn white.
That is, when it is white, when it is not sensitive,
then you can work.
We work on the scar is not as for the rest of the skin.
So you can't work with such a sweeping touch,
touching the scar.
You work up the scar, most often.
Then a separate, special touch that fits
it is this scar.
Usually, these are such small, smooth strokes, dense-dense,
not much traumatic.
Because on the scar, more often than not, the color heals more
cold and dark on any zone, on the lips as well.
Or do not take root at all.
Those. these are the scars - they are so complex.
On the scar, perhaps you should warn the client that
two or three procedures will be needed, maybe locally
dokrashivat
Because it is always more difficult to go to bed.
What's next slide?
So it seems to be done.
You create the form as if not paying attention to
scar.
Those. with his account.
But there are scars that are bulging.
There are scars that are hollow.
I call it that.
And in any case, the stroke here is so uniform will not go.
Because the pigment will fall brightly on the borders of the scars.
Therefore, you have to scar, scar and then scar
work.
And so, in principle, the rest of the work is all the same.
Wrinkles of wrinkles we already ... I have already casually said.
That is, you can and should work with women
which are outlined, or there are already string wrinkles.
But you should work in this area very carefully.
Tomorrow I will mention this too.
That is, to fix the contour, as you know, with such movements,
when you are so slow along the contour, spend in one
the same furrow is not worth on wrinkles.
Because the place where you slowly, tightly put
pigment, which is fraught with a swim.
So you make such soft movements as if
you put the pencil arrow on the eyelid.
Here they are very similar.
And, basically, the rest of the work in the middle of the lips, she
the same.
Just do not try to make it very tight,
bright paint in the area of nipple wrinkles.
Because it can float and removed on the lips is difficult.
Some permanent pigments are removed through
gray, blue color.
Or you can pick it up with a fuser.
delete, if suddenly these floats, floats happened.
Now look at the questions, so as not to go far.
So, very swollen.
Well, well, well.
How to block the tattoo lips of red in light pink?
We will talk about slabs at the end of this webinar.
Conventionally, you can block ... Oh, Julia, it's you.
Hello!
Conditionally, you can block, make more pale
lips only if your pigments have a lot
titanium dioxide.
Those. just like that, nothing else.
But, in principle, it is possible to do.
I'm so cold, I'm cold.
We made a fridge here.
So, very swollen lips, I work very superficially,
I can not figure out what the reason?
And you know, some lips swell very much
devices.
What kind of apparatus do you work?
Here, for example, "Cheynne Thunder", it is very powerful and from him
lips swell much more than from anyone, even Chinese
cars.
Is "Spirit" softer?
they swell less from it.
Even if you work gently and superficially, they can
so here is to swell.
The quality of work is not particularly affected, does not affect.
This, in any case, is what I noticed.
But swelling happens.
Therefore, sometimes, it happens, after all, because of the traumatic
work.
So you just have to look at the work itself.
and to work in progress.
Those. depletion may be due to customer predisposition
to swelling.
But if you have them all, then most likely this is something
with your work.
Because of the device, which is very powerful, it hurts
stronger than you need in this zone.
And because of your work technique.
That is, basically we will talk about technology tomorrow.
But most often these are such movements when it is not ironing.
Here, let's say, this is a piece that you have to paint over.
And your movement should be like this when you
walked through it evenly.
How stroked the skin.
And if you have such a movement.
That is, you kind of dug in the middle, put an end
conditionally.
Those. such ... pigment could not even leave.
But the swelling starts to appear because just like that
irregular movement that injures lips
and they begin to swell.
Those. Here, in principle, the main such reasons.
If you have a tendency to herpes, you need to know how?
Here at my husband several times herpes appeared.
Here he appeared right on the background of reduced immunity
or something like that.
And the doctor prescribed for him some kind of severe herpes
a drug.
He drank it and he just does not appear anymore
some years.
Therefore, I am sure that this is a solvable problem.
If the client constantly gets herpes
just a good drug and a good doctor who
will select the dosage.
And that's all.
And then you do your procedure.
So, I want to tell you: if suddenly ... You are very asking
questions that I will answer tomorrow.
They are associated with practice, namely with the practical part.
There will be 4 models, there will be a lot of latex.
Where I will show and movements, and how to paint,
and where it should start from, and how to fix the contour,
and all-all-all.
If you have not bought tomorrow, then you have
There is still an opportunity to purchase at a discount tomorrow.
Because you bought today.
But these are the blocks of tomorrow and I will talk about
them tomorrow.
So tomorrow will be even more interesting and difficult.
day than today.
Today I talk a lot.
Tomorrow I will talk a lot too, at the same time
as if showing.
Specially shot these videos with all these complex
cases.
So please buy tomorrow's webinar today,
to find out the answers to all these questions.
I will answer only those questions about which
Now here are the topics I say.
Good?
Well, because otherwise it will just stretch into ordinary
my broadcast when I answer all questions in a row.
So, keloid scars, contraindications for the permanent.
Actually, I'm a representative of keloid scars.
Those. I have all my scars turn into keloids.
For many years I went with keloids on my chest.
Here I deleted moles.
They were terrible.
But I have a tattoo everywhere.
And this is not a problem.
Proper work, superficial, soft.
Generally no keloids, nothing will happen.
Everything will be fine.
Just need to work properly.
So, I do not agree with those who write about addiction
keloids
Because I say again: and I have a sister, we
this is a family one.
And I have a sister, she generally has keloid scars, just
she had an accident.
They are with her everywhere.
But her tattoo is great and there are no keloids
not.
This is one of these stereotypes.
If you work deep and traumatic, then for sure
of course not.
In general everything is good.
First done ... Ie Here the question is asked: if
The client plans to increase the lip filler.
First, it does what lasts longer.
First you create a form with a tattoo.
Then you send to the beautician to increase.
This is the correct version.